Past Residents
Sara Enrico
Sara Enrico’s work is based on the concept of “weave,” encompassing both objects and language. Working with analog and digital processes and employing painting with textiles, she investigates material surface in relation to the body. Her abstract shapes connote the haptic and the anthropomorphous.
Sara Enrico has exhibited works in Italy and abroad, including Fondazione Sandretto Re Rebaudengo, Turin; Les Instants Chavirés, Montreuil; and Fondazione Antonio Ratti, Como, amongst others.
Sara Enrico, RGB (skin), 2015, digital print on polyester fabric and foam, 79 x 8 x 8 in. each.
Sara Enrico, The Jumsuit Theme, 2017, concrete and pigment, dimensions variable. Courtesy PAV Parco Arte Vivente.
Sara Enrico, Mirroring, 2016, bronze, neoprene fabric, and silk thread, 55 x 4 x 40 in. each.
Sara Enrico, À Terre, En L'air, 2017, concrete, canvas and digital print on polyester fabric, and foam.
Sara Enrico, Twins, 2014, oil on canvas and on wall, dimensions variable.
Residents from Italy
Raffaela Naldi Rossano
The Italian Academy for Advanced Studies, Columbia University, Italian Cultural Institute of New York, Directorate-General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and International Cooperation, Directorate-General for Contemporary Creativity of the Italian Ministry of Culture
2024
Past Resident2018: La Fondation pour l'Art Contemporain Claudine et Jean-Marc Salomon
Lise Duclaux
Lise Duclaux intervenes into humanity’s ways of being, looking and understanding. Self-determination is her raw material, she cultivates and looks at life in all its complexities while capturing its poetic and precarious dynamisms. She is particularly interested in making invisible and underground lives apparent. She works in drawing, writing, gardening, typographic composition, performance and photography. Duclaux’s works are constantly evolving, from one project to the next as she reuses and adapts her strategies.
Lise Duclaux lives and works in Brussels, Belgium. She has exhibited work at the Museum of Contemporary Art, Antwerp; Lille Métropole Museum of Modern, Contemporary and Outsider Art (LaM), Villeneuve-d’Ascq Lille Métropôle; and MAC Musée des Arts Contemporains, Grand-Hornu, amongst others.
Lise Duclaux, L'observatoire des Simples et des Fous, 2015, site-specific installation and performance.
Lise Duclaux, Patience Sauvage, 2017, drawing, 115/8 × 511/16 in. (29.46 × 14.48 cm).
Lise Duclaux, Plantes de Bruxelles, 2004-16, performance, installation and plants.
Lise Duclaux, Idea of a Scale of Natural Beings, 2017, chalk on black wall, site-specific drawing.
Lise Duclaux, There is no mole in my garden, but I have one in the head n°14, 2014, silkscreen, 28 × 20 in. (71.12 × 50.8 cm).
Past Resident2018: Director's Circle, Artis
David Adika
David Adika’s photographs are a by-product of the reality of his life. His works deal with his personal biography, the collective memory of the society in which he lives, and connects political reality to social reality. Through his work, Adika aims to show the presence of beauty using strategies of seduction.
David Adika has exhibited works at The Open Museum for Photography, Tel-Hai; Tel Aviv Museum of Art; and Latvian National Museum of Art, Riga, among others. He was awarded the Jack Naylor Award for Cinematography in a Feature Film in 2011.
Events & Exhibitions
Artists at Work: Maria Lalou and David Adika
February 27, 2018, 6:30–8pm
David Adika, African Israeliana, 2017, photography, 125 x 90 in. each.
David Adika, As In Water Face Reflects Face, 2013-14, photography, installation view.
David Adika, Book Case, 2016, mixed media, installation view.
David Adika, Golden Hands, 2016, mixed media, installation view.
David Adika, Stable Brown, 2015-17, mixed media, installation view.
