Past Residents

Residents Map

Past Resident
2017: ACC - Asian Cultural Council

Fuyuka Shindo

In Fuyuka Shindo’s practice, she confronts historical and cultural issues from a present-day perspective, often in reference to her native region of Hokkaido, Japan. She conducts research in museums and archives, looking at objects such as traditional costumes and old photographs. Most of Shindo’s finished pieces incorporate elements from both the past and present, be it in the final imagery, materials used or techniques employed.

Fuyuka Shindo has shown work at the Sapporo International Art Festival; Koganecho Bazaar, Yokohama; and Hokkaidō Museum of Northern Peoples, Abashiri.

Mathias Pöschl

In his research-based practice, Mathias Pöschl seeks to investigate the relation of visual culture and political agenda, generating ensembles of works by juxtaposing representations of historical incidences and realities in a wide range of media and materials. In an effort to hint at new insights into the basic conditions of what it means for a work of art to be called political, Pöschl tries to exploit the cognitive potential of contradictions and misreadings, employing dialectic approaches to arrive at, or suggest, new narratives.

Mathias Pöschl (born 1981, Vienna, Austria) graduated from the Academy of Fine Arts Vienna in 2008. His work has been exhibited in solo and group shows at institutions, galleries and art fairs including Leopold Museum, Vienna; 21er Haus – Museum für zeitgenössische Kunst, Vienna; The Armory Show, New York; Georg Kargl Fine Arts, Vienna; Sotheby’s, Vienna; Galleri Ping-Pong, Malmö; Frieze, London; Nya Perspectives, Västerås; Neuer Kunstverein Wien, Vienna; as well as in various self-organized shows in temporary exhibition spaces around Austria.

Past Resident
2020: The J.F. Costopoulos Foundation
2017: Wolf Inc

Maria Zervos

Maria Zervos’s most recent work revolves around an interdisciplinary approach to video, performance, poetry and drawing in an ongoing negotiation between topos and utopia. She remaps otherworldly landscapes such as the barren stretches of the Atacama Desert, the highest peak of Mount Olympus, gray zones or places off the map, such as refugee camps, in a search for personal geographies. Distinct for its allusions to passage, Zervos’s work often investigates the conflation of nature and culture, aspiring to social criticism.

Maria Zervos is a visual artist and poet from Athens currently living and working between the Netherlands and Greece. In 2020 she was awarded the NEON grant for her solo show at MOMus Museum of Contemporary Art. Zervos is a Fulbright Scholar and in 2012 was invited by Harvard University as a Visiting Fellow to pursue research on her practice. She has taught courses at Harvard University as well as at Emerson College in Boston since 2014. She has presented her work in solo and group exhibitions worldwide including the National Museum of Contemporary Art (EMST), Athens; Ileana Tounta Contemporary Art Center, Athens; Stedelijk Museum, Amsterdam; Nieuw Dakota, Amsterdam; Kunstvlaai, Amsterdam; The Breeder, Athens; Onassis Cultural Centre, New York City; and the Hellenic American Union, Athens, among others. She has published three books, DiagnosisHunting, and Peripatetics on her practice and is represented by the Ileana Tounta Center for Contemporary Art. Zervos’s art is part of several collections including the D. Daskalopoulos Collection and the National Museum of Contemporary Art (EMST), Athens.