Past Residents
Past Resident2013: Gallery Jordanow, Hendrik Müller, Erwin and Gisela von Steiner Foundation, PHASEONE
Moritz Partenheimer
Moritz Partenheimer works with photography to create surreal worlds of their own kind, composed of sites in various locations around the world. He studies the urban microcosm and investigates urban space to define its identity. His focus is on inconspicuous sites, the sort of surroundings that are composed of things we come across every day. His pristine settings seem to be void of human presence, however, their traces are discernable and become an expression of the space wherein the portrayed objects replace humankind. It is through his formal reduction and concentration of the selected objects that we come to better understand their artificial, natural or cultural beauty.
Moritz Partenheimer (born 1979, Munich) studied at the Bauhaus-University, Weimar and at Pratt Institute, New York. In 2006, he graduated from Bauhaus University with a master’s degree and moved to Munich. Recent solo shows include Points of Interest, Gallery Jordanow, Munich; Lost in Translation, Gallery Binz & Krämer, Cologne; and Lost Paradise, Kunstverein Heinsberg. His group exhibitions include Lost in Translation, Deichtorhallen, Hamburg; Bildspuren – Unruhige Gegenwarten, Darmstädter Tage der Fotografie, Germany; and Ist das ein Portrait, Gallery Karin Sachs, Munich. His work is represented in numerous private collections, as well as public collections, including Museum Pinakothek der Moderne, Munich. He lives and works in Munich and Cologne.
Moritz Partenheimer, Points of Interest, 2011, C-print, 56 × 47 in. (142.24 × 119.38 cm). Courtesy of the artist
Moritz Partenheimer, Points of Interest, 2011, C-print, 40 × 47 in. (101.6 × 119.38 cm). Courtesy of the artist
Moritz Partenheimer, Gateway 1, 2013, C-print, 66 × 57 in. (167.64 × 144.78 cm). Courtesy of the artist
Moritz Partenheimer, Points of Interest, 2011, C-print, 40 × 47 in. (101.6 × 119.38 cm). Courtesy of the artist
Residents from Germany
Past Resident2013: Anonymous2012: Mondriaan Fund
Rob Voerman
Rob Voerman works across many different media: sculpture, installation-art, printmaking and painting. In many of his works, he tests the boundaries of both sculpture and architecture. His works illustrates his own fascination with creating the architecture of fictional communities inhabiting remote areas away from the imposed order of towns and cities. Voerman’s new dwellings consist of a mixture of utopia, destruction and beauty. This new architecture combines the romanticism of the log cabin with it’s antithesis: the implied malevolence of the una-bomber’s cabin. These architectural hybrids somewhere between dwellings, caves, the primitive hut, and cathedrals. In the past two years, Voerman started to reflect on modernism and modernistic architecture in relation to our current time.
Rob Voerman (born 1966, Deventer) currently lives in Arnhem and works in Groessen. Since his graduation in 1996 from The Art School, Kampen. Voerman has exhibited all over the world including the Hammer Museum, University of California, Los Angeles; The Generali Foundation, Vienna and the Architectural Association, London. He is currently represented by Upstream Gallery in Amsterdam. Voerman’s work is included in the collections of the Museum of Modern Art, New York; Hammer Museum, University of California, Los Angeles; Generali Foundation, VIenna; KKR Office Collection; Speyer Family Collection; Deutsche Bank and the Stedelijk Museum, Amsterdam.
Rob Voerman, A Permeable Body of Solitude, 2012, Wood, cardboard, and glass. Courtesy of the artist
Rob Voerman, Dawn of a New Century, 2012, Wood, cardboard, plexiglass, and glass. Courtesy of the artist
Rob Voerman, Dawn of a New Century, 2012
Rob Voerman, The Archive, 2012, Watercolor and pencil on paper. Courtesy of the artist
Rob Voerman, Wordlviews, 2003, Silkscreen, linocut and watercolor on paper, 78 × 69 in. (198.12 × 175.26 cm). Courtesy of the artist
Residents from The Netherlands
Past Resident2013: Seoul Foundation for Arts and Culture
Eunji Cho
Eunji Cho activates the movement and inherent energy of urban remains, traces and suspended matters such as mud, stone and dust through performance, installation, situationist intervention and writing. She explores the slippage that arises when a modern subject enters another territory and becomes a minority, colonized, and the “other.” In her recent works, she focuses on the socio-psychological landscape of surface elements of the city interpreted by her own intuition and methodologies. Her artistic practice retains a minimalist approach to explore the ways in which certain objects are used in her works. Cho uses a range of media including drawing, video, performance and installation
In 2012, Eunji Cho had her 5th solo exhibition, Poem In Action, at RM Gallery, Auckland. Her selected group exhibitions include Walking Drifting Dragging, New Museum, New York, 2013; Play Time, Culture Station Seoul 284, Seoul, 2012; Dtang, the Mud Said, Duesseldorf Festival, Duesseldorf, 2012; tempus fugit, Kuenstlerverein Malkasten, Duesseldorf, 2012;Media Scape, Nam Jun Paik Art Center, Yongin, 2011; 7th Gwangju Biennale: Annual Report, Gwangju, 2008; Anyang Public Art Project, Anyang,2007; The Multicultural in Our Time, Palais de Tokyo, Paris, 2010; and Cittadellarte Venice, Venice University, Venice, 2005. She also has a female duo performance band, Michelangelo Pistoletto Band and sings about love and cities in various cities all over the world. Eunji Cho lives and works in Seoul.
Eunji Cho, Exodus Mud Poem, 2008, Mud from Paju New Town City Performance at 7th Gwangju Biennale
Eunji Cho, Poem in Action, 2012, Mud Installation view RM Gallery, Auckland
Eunji Cho, The Organic Flag, 2007, Mud and flag Installation view Yangju City Hall, Gyeongsang-do, Korea
Eunji Cho, Dtang, The Mud Said, 2012, Performance FFT, Duesseldorf Festival
Eunji Cho, Real Estate Box Empty Seongam 123 Project, 2010, Collaborative project Seongamdo, Ansan, Korea
