Current Resident: May 1, 2022–Jul 31, 2022
Doosan Art Center
Studio #211
Curator
Junghyun Kim
Junghyun Kim is a curator specialized in Korean contemporary art. She has interests in the relationship between the museum and the audience’s body. Through exhibitions, on/offline performances, community-engaged art and symposiums, Kim explores themes on ways to restore human senses in the digital environment.
Junghyun Kim has exhibited at Seoul Museum of Art, Buk-Seoul Museum of Art, and Songeun Art Cube, all South Korea, among others.
Junghyun Kim, Every Haetae, 2021, mixed media, installation view at Seoul Museum of Art, dimensions variable
Junghyun Kim, Serpentine Twerk, 2021, mixed media on canvas, installation view at Seoul Museum of Art, 102 × 76 in. (259.08 × 193.04 cm)
Junghyun Kim and Taste House, Delivery Service 2020, 2020, performance
Junghyun Kim, Your Garden, 2020, archive installation, dimensions variable
Junghyun Kim, Creating Stories, 2019, book
Current Resident: Apr 1, 2022–Jun 30, 2022
Federal Ministry for Arts, Culture, the Civil Service and Sport of Austria
Studio #212
Artist
Sarah Ortmeyer
Sarah Ortmeyer’s work draws from her keen interest in–and uncanny understanding of–cultural, human, and political interrelations, whether contemporary or historic, highbrow or lowbrow, and academic or punk. Her work is both intellectually challenging as well as visually stunning and refined in its execution yet emotionally completely raw.
Sarah Ortmeyer has exhibited at Belvedere Museum, Vienna; Monnai de Paris, Paris; and MoMA PS1, New York, among others.
SARAHORTMEYER.COM
Sarah Ortmeyer, ST PETERSBURG PARADOX, 2013, exhibition view at Swiss Institute, New York
Sarah Ortmeyer, PALMA, 2017, exhibition view at Belvedere 21, Vienna
Sarah Ortmeyer, FLYRT, 2018, exhibition view at Kunstverein München, München
Sarah Ortmeyer, GRANDMASTER, 2019
Sarah Ortmeyer, GRANDMASTER, 2014, exhibition view at Dvir Gallery, Tel aviv
Current Resident: Apr 1, 2022–Jun 30, 2022
FLAD-The Luso-American Development Foundation
Studio #213
Artist
AnaMary Bilbao
AnaMary Bilbao articulates documentation from photography, drawing, sound, and moving images. Through the combination of these elements and references, she seeks to start fictional narratives that put into question the idea of a single truth. As the artist states, “there is no truth beforehand, only connections, interruptions, and incompleteness – a piece can never end in itself.”
AnaMary Bilbao has exhibited at ARCOmadrid, Madrid; and Museum of Art, Architecture and Technology, and Leal Rios Foundation, both Lisbon, among others.
anamarybilbao.comEvents & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
AnaMary Bilbao, Blast effects, 2021, 35 inkjet prints on cotton paper
AnaMary Bilbao, J’avale la vague qui me noie le soleil de midi Date: , 2021, inkjet prints, slide projections, and video
AnaMary Bilbao, Como interromper a eternidade? (Intervalos para a dúvida) [How to cease eternity? (Gaps for doubt)], 2019, 6 inkjet prints on cotton paper 320gr 16mm film, and sound, 2:53 min, loop
AnaMary Bilbao, Todas as formas sublimes são transitórias [All sublime forms are transitory], 2018, inkjet print on Japanese paper, 433/8 × 59 in. (110.24 × 149.86 cm) each
AnaMary Bilbao, Renascimento por transformação II (Rebirth through transformation), 2018, Inkjet print on Japanese paper, 65 × 433/8 in. (165.1 × 110.24 cm)
