Chile

Past Resident
2022: Beca Arte, CCU - Corporación Cultural La Araucana

Artist

Maria Gabler

María Gabler creates site-specific installations that criticize the places into which they intervene, based on the observation of constructive and architectural characteristics of each individual location, as well as their historical and cultural context. Through her works she interrupts the inner codes and structures that determine the way we relate with spaces. The materials and techniques used by her are generally linked to the field of construction: lumber, OSB, iron, and expanded polystyrene, among others.

María Gabler has exhibited at Galería Gabriela Mistral; Museo de Arte Contemporáneo; and Sala de Arte CCU, all Santiago, Chile, among others.

Events & Exhibitions

2022 Spring Open Studios

April 22–April 23, 2022

Maria Gabler, La Galería, 2017, OSB, lumber, steel framing, and glass, 512 × 512 × 157¹/₂ in. (1300.48 × 1300.48 × 400.05 cm).

Maria Gabler, La Ventana, 2022, Lumber and asphalt roofing felt, 236 × 511¹³/₁₆ × 157³/₈ in. (599.44 × 1299.97 × 399.8 cm).

Maria Gabler, Anfibia, 2021, Wood, polyethylene, water, sand and rocks, 393¹¹/₁₆ × 393¹¹/₁₆ in. (1000 × 1000 cm).

Maria Gabler, Ad Portas, 2019, Polished and vitrified floor, 59 × 78 in. (149.86 × 198.12 cm).

Maria Gabler, La Galería, 2017, OSB, lumber, steel framing, and glass, 512 × 512 × 157¹/₂ in. (1300.48 × 1300.48 × 400.05 cm).

Residents from Chile

Carolina Muñoz

Chile

Beca Arte, CCU - Corporación Cultural La Araucana

2024

Nicolás Grum

Chile

Beca Arte, CCU - Corporación Cultural La Araucana

2010

Catalina Bauer

Chile

Beca Arte, CCU - Corporación Cultural La Araucana

2018

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Germany, Austria

Past Resident
2022: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria

Artist

Sarah Ortmeyer

Sarah Ortmeyer’s work draws from her keen interest in–and uncanny understanding of–cultural, human, and political interrelations, whether contemporary or historic, highbrow or lowbrow, and academic or punk. Her work is both intellectually challenging as well as visually stunning and refined in its execution yet emotionally completely raw.

Sarah Ortmeyer has exhibited at Belvedere Museum, Vienna; Monnai de Paris, Paris; and MoMA PS1, New York, among others.

Sarah Ortmeyer, ST PETERSBURG PARADOX, 2013, exhibition view at Swiss Institute, New York.

Sarah Ortmeyer, PALMA, 2017, exhibition view at Belvedere 21, Vienna.

Sarah Ortmeyer, FLYRT, 2018, exhibition view at Kunstverein München, München.

Sarah Ortmeyer, GRANDMASTER, 2019.

Sarah Ortmeyer, GRANDMASTER, 2014, exhibition view at Dvir Gallery, Tel aviv.

Residents from Austria

Lukas Marxt

Germany, Portugal, Austria

Federal Ministry for Arts, Culture, Civil Service and Sport of Austria

Studio #218

Hermes Payrhuber

Austria, United States

Federal Ministry for Arts, Culture, Civil Service and Sport of Austria

Studio #212

Marianne Vlaschits

Austria

Federal Ministry for Arts, Culture, Civil Service and Sport of Austria

2025

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Portugal, Spain

Past Resident
2022: Luso-American Development Foundation (FLAD)

Artist

AnaMary Bilbao

AnaMary Bilbao articulates documentation from photography, drawing, sound, and moving images. Through the combination of these elements and references, she seeks to start fictional narratives that put into question the idea of a single truth. As the artist states, “there is no truth beforehand, only connections, interruptions, and incompleteness – a piece can never end in itself.”

AnaMary Bilbao has exhibited at ARCOmadrid, Madrid; Museum of Art, Architecture and Technology and Leal Rios Foundation, both Lisbon, among others.

Events & Exhibitions

2022 Spring Open Studios

April 22–April 23, 2022

AnaMary Bilbao, Blast effects, 2021, 35 inkjet prints on cotton paper.

AnaMary Bilbao, J’avale la vague qui me noie le soleil de midi Date: , 2021, inkjet prints, slide projections, and video.

AnaMary Bilbao, Como interromper a eternidade? (Intervalos para a dúvida) [How to cease eternity? (Gaps for doubt)], 2019, 6 inkjet prints on cotton paper 320gr 16mm film, and sound, 2:53 min, loop.

AnaMary Bilbao, Todas as formas sublimes são transitórias [All sublime forms are transitory], 2018, inkjet print on Japanese paper, 433/8 × 59 in. (110.24 × 149.86 cm) each.

AnaMary Bilbao, Renascimento por transformação II (Rebirth through transformation), 2018, Inkjet print on Japanese paper, 43³/₈ × 65 in. (110.24 × 165.1 cm).