Past Residents
Ludovica Carbotta
Ludovica Carbotta’s practice focuses on the physical exploration of urban space and how individuals establish connections to their environment. In recent works, she has looked at fictional site specificity, a form of site-oriented practice that considers imaginary places, or embodies real places within fictional contexts. Through this work, she aims to recover the role of imagination as valuable to knowledge production.
Ludovica Carbotta (born 1982, Turin) lives and works in Maastricht, The Netherlands. She has exhibited works at MAXXI Museum, Rome; Kunstlerhaus Museum, Graz; and Fondazione Sandretto Re Rebaudengo, Turin, amongst others. Carbotta is the recipient of the 5th Ariane de Rothschild Prize.
Ludovica Carbotta, Monowe, 2016, mixed media, environmental installation.
Ludovica Carbotta, Monowe, 2016, mixed media, environmental installation.
Ludovica Carbotta, Falsetto RCH001, 2017, silicon sculpture, polystyrene, and buckets, 40 × 24 × 24 in. (101.6 × 60.96 × 60.96 cm).
Ludovica Carbotta, Falsetto TWR001, 2017, sculpture, sponge, wood, oil, and silicon, 63 × 25 × 25 in. (160.02 × 63.5 × 63.5 cm).
Ludovica Carbotta, Falsetto TNT001, 2017, sculpture, concrete, sponge, and stripes, 48 × 28 × 24 in. (121.92 × 71.12 × 60.96 cm).
Residents from Italy
Raffaela Naldi Rossano
The Italian Academy for Advanced Studies, Columbia University, Italian Cultural Institute of New York, Directorate-General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and International Cooperation, Directorate-General for Contemporary Creativity of the Italian Ministry of Culture
2024
Past Resident2018: Danish Arts Foundation
Sofie Krogh Christensen
Sofie Krogh Christensen is a curator, writer, and editor. She is interested in the dialogue between artist and curator and political narratives in contemporary art exhibitions today.
Sofie Krogh Christensen (born 1988) received her MA in Cultural Studies from University of Copenhagen. She was the Assistant Curator, 15th Istanbul Biennial, a good neighbor, 2017 and Curatorial Assistant, PRAXES Center for Contemporary Art, Berlin.
Events & Exhibitions
Spring Open Studios 2018
April 27–April 28, 2018
Sofie Krogh Christensen, a good neighbor, 2017, 15th Istanbul Biennial, installation view, Pera Museum, mixed media. Photo by Sahir Ugur Eren.
Latifa Echakhch, Crowd Fade, 2017, 15th Istanbul Biennial, 'a good neighbor,' installation view, Istanbul Modern, mixed media. Photo by Sahir Ugur Eren.
Christina Mackie, Drop, 2014, installation view, PRAXES Center for Contemporary Art. Photo by Eva Lechner.
Residents from Denmark
Remy Jungerman
Remy Jungerman’s work explores the intersection of pattern and symbol in Surinamese Maroon culture, the larger African Diaspora, and twentieth-century modernism. Jungerman challenges the established art historical canon by bringing seemingly disparate visual languages into conversation. Art and culture critic Greg Tate writes “Jungerman’s work leaps boldly and deftly into the epistemological gap between culturally confident Maroon self-knowledge and the Dutch learning curve around all things Jungerman, Afropean, and Eurocentric.”
Remy Jungerman has exhibited work at the Stedelijk Museum Amsterdam; Gemeente Museum, The Hague; Havana Biennial, Cuba; Prospect.3: Notes for Now, New Orleans; Brooklyn Museum, New York; and Goodman Gallery, London, amongst others. Jungerman is the recipient of the Fritschy Culture Award, The Netherlands. His work has been featured in numerous publications and has been acquired by various institutions and private collectors worldwide.
Remy Jungerman, VISITING DEITIES, 2018, cotton textile, kaolin (pimba), painted wood, meranti table legs (58), dry river clay, nails, yarn, mirror and river water samples (Cottica, Hudson, and Amstel), 134 × 389 × 102 in. (340.36 × 988.06 × 259.08 cm).
Remy Jungerman, VISITING DEITIES, detail, 2018, Cctton textile, kaolin (pimba), painted wood, meranti table legs (58), dry river clay, nails, yarn, mirror and river water samples (Cottica, Hudson, and Amstel), 134 × 389 × 102 in. (340.36 × 988.06 × 259.08 cm).
Remy Jungerman, INITIANDS, 2015, cotton textile and kaolin (pimba), 7811/16 × 7811/16 × 10 in. (199.9 × 199.9 × 25.4 cm).
Remy Jungerman, FODU composition 9 from 24, 2015, cotton textile and kaolin (pimba), 10 × 7811/16 in. (25.4 × 199.9 cm).
Remy Jungerman, Pimba AGIDA SUSA, 2021, cotton textile and kaolin (pimba) on wood panel, 955/16 × 755/8 × 2 in. (242.06 × 192.02 × 5.08 cm).
