Current Resident: Jun 1, 2018–Jul 31, 2018
Bradley University
Studio #222
Artist
Heather Brammeier
Heather Brammeier is a painter whose practice has expanded to include constructing paintings and drawings in space. Her use of materials creates visual puzzles that challenge perception. Brammeier’s work tests physical and perceptual boundaries through vertiginous stacking, intricate color configurations, and structures that invite interaction.
Heather Brammeier has exhibited work at South Bend Museum of Art, Indiana; Urban Institute of Contemporary Arts, Grand Rapids; and Lillstreet Art Center, Chicago, among others.
Events & Exhibitions
Summer Open House
July 31, 2018, 6–9pm
Heather Brammeier, Fragments of the Unreachable (Things that are Lost to Us), 2017, reclaimed wood, planed pine, ladder, and willow tree, 276 × 96 × 96 in. (701.04 × 243.84 × 243.84 cm).
Heather Brammeier, Brighten the Corners, 2017, painted wood, garden hose, PEX tubing, and reclaimed ladders, 300 × 120 × 180 in. (762 × 304.8 × 457.2 cm).
Heather Brammeier, Lose the Feeling (MacLean County Arts Center), 2017, reclaimed wood and planed pine, 84 × 240 × 192 in. (213.36 × 609.6 × 487.68 cm).
Heather Brammeier, Lose the Feeling (Heuser Arts Center), 2017, reclaimed wood, pine, and carpet, 84 × 240 × 192 in. (213.36 × 609.6 × 487.68 cm).
Heather Brammeier, Next Steps (Life Carries On), 2017, painted wood, painted insulation foam, garden hose, and reclaimed metal hoop, 120 × 96 × 72 in. (304.8 × 243.84 × 182.88 cm).
Residents from United States
Current Resident: Jun 1, 2018–Aug 31, 2018
Australia Council for the Arts
Studio #301
Artist
Svetlana Bailey
Svetlana Bailey builds installations and work with in-camera collage. Her photographs are combinations of objects, images and props derived from personal archives found lingering on her hard drive, images from family storage, or things she’s comes across in everyday life. Circling in collection and recollection, she transports fragments of her environment, both the physical and psychological, into the studio to be reproduced and reinstalled.
Svetlana Bailey has exhibited work at Blue Sky Gallery, Portland; Artereal Gallery, Sydney; and ClampArt, New York, among others.
Events & Exhibitions
Summer Open House
July 31, 2018, 6–9pm
Svetlana Bailey, Pineapple Office, 2017, pigment print, 40 × 50 in. (101.6 × 127 cm).
Svetlana Bailey, After Leda Chair, 2018, pigment print, 50 × 40 in. (127 × 101.6 cm).
Svetlana Bailey, Egg and Jacket, 2017, pigment print, 23 × 18 in. (58.42 × 45.72 cm).
Svetlana Bailey, Woman With Fruit, 2018, pigment print, 50 × 40 in. (127 × 101.6 cm).
Svetlana Bailey, Before Sunset, 2017, pigment print, 40 × 50 in. (101.6 × 127 cm).
Current Resident: Mar 1, 2018–Jul 31, 2018
Ministry of Culture, Taiwan
Studio #302
Artist
Yen-Ting Hsu
Yen-Ting Hsu investigates the cultural context of sounds, explores the connection between life, environment and ethnic cultures, and reflects on the relationship between sounds and their surrounding world. Using field recordings as her primary material, Hsu creates audio documentaries, soundscapes and sound performances. She also works extensively with dance theaters as a sound designer.
Yen-Ting Hsu has exhibited at Taipei Artist Village, Fremantle Arts Centre, and Taipei Fine Arts Museum, among others.
suotsana.net
Yen-Ting Hsu, Waterland (Taiwan), 2016, plastic swimming pool, water sports equipments, sand, and multi-channel sound installation.
Yen-Ting Hsu, Waterland (Australia), 2015, sand and multi-channel sound installation.
Yen-Ting Hsu, TAI - Work in Progress, 2017, fans, various objects, and multi-channel sound installation.
Yen-Ting Hsu, Revitalization of Chiayi Sound Project, 2012, multi-channel sound installation.
