Past Residents
Past Resident2024: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation2023: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha
Alchemyverse
Alchemyverse was founded in 2020 in New York City by artists Bicheng Liang (b. 1994, China) and Yixuan Shao (b. 1996, China/United States). As a duo, they construct visual and aural assemblages, working across disciplines of installation, print, sound, sculpture, and photography. Focusing on research and experimentation, their hybrid practice resonates with macro-environmental concerns and human dislocation of space, leading them to places such as Oahu and Moa Kea in Hawaii, the American Southwest, the Hudson Highlands, and the Chilean deserts.
Alchemyverse has exhibited work at Bishop Museum, Honolulu; The Catherine Fosnot Art Gallery and Center, New London; and Lenfest Center for the Arts, Columbia University, New York City, among others.
Events & Exhibitions
2024 Spring Open Studios
April 12–April 13, 2024
2023 Fall Open Studios
November 10–November 11, 2023
Messa in Luce Exhibition Talk with Alchemyverse and Jess Wilcox
November 1, 2023, 6–7pm
Alchemyverse: Messa in Luce
June 29–November 17, 2023
2023 Spring Open Studios
April 21–April 22, 2023
Alchemyverse, Stir, Full of, Abounding In, 2021, cyanotypes collage, dead plant, pit-fired wild clay fragment, rocks, 8-channel specialized sound, transducers, and other mixed media, 120 × 84 × 3 in. (304.8 × 213.36 × 7.62 cm).
Alchemyverse, Left Without The Means To Move, 2021, lava rocks, anodized aluminum, bone conductors, pit-fired wild clay and sound recorded within, desert soil, amplified microphones, speakers, subwoofers, and other mixed media, 204 × 204 × 180 in. (518.16 × 518.16 × 457.2 cm).
Alchemyverse, Untitled, 2021-22, rocks, ceramics, bronze, dead plants, living moss, sand, films, cyanotypes, scores, 3D carved photo, turntable, trace light box, digital projectors, lamps, and other mixed media.
Alchemyverse, 隙/ At Intervals, 2020-21, earth and fire on aluminum sheets, 72 × 96 × 36 in. (182.88 × 243.84 × 91.44 cm).
Alchemyverse, Bleikr, 2020, mounted cyanotypes, sounds, and transducers, 108 × 120 in. (274.32 × 304.8 cm).
Ground Floor Residents
Maya Jeffereis
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Keli Safia Maksud
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Hong Seon Jang
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Past Resident2024: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation2023: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha
Tali Keren
Tali Keren is a multidisciplinary artist and educator born in Jerusalem and based in Brooklyn. Her performances, videos, and installations center on the formation of political ideology, historical mythologies, and the ongoing legacies of settler colonialism. Through poetic interventions into archival sources, legislative documents, and the creation of immersive documentary installations, Keren seeks to unsettle foundational national myths. Her practice is grounded in collaboration, cross-disciplinary dialogue, and experimental pedagogy as a way to forge new forms of collectivity and political imaginaries.
Tali Keren has exhibited at Museum of Contemporary Art Detroit, Detroit; Queens Museum and Eyebeam, both New York City, among others.
Events & Exhibitions
Artists at Work: Tali Keren in conversation with Kari Conte
March 14, 2024, 6:30–7:30pm
2023 Fall Open Studios
November 10–November 11, 2023
2023 Spring Open Studios
April 21–April 22, 2023
2022 Fall Open Studios
November 18–November 19, 2022
2022 Spring Open Studios
April 22–April 23, 2022
Tali Keren, Un-Charting, 2021-ongoing, 180-degree 3D animated film.
Tali Keren, Un-Charting, 2021-ongoing, 180-degree animated film.
Tali Keren, Heat signature, 2019, mixed media.
Tali Keren, The Great Seal, 2018, multi-media interactive installation.
Tali Keren and Alex Strada, Proposal for a 28th Amendment? Is It Possible to Amend and Unequal System? , 2021-on going, multi-media interactive installation.
Ground Floor Residents
Maya Jeffereis
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Keli Safia Maksud
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Hong Seon Jang
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Past Resident2022: Beca Arte, CCU - Corporación Cultural La Araucana
Maria Gabler
María Gabler creates site-specific installations that criticize the places into which they intervene, based on the observation of constructive and architectural characteristics of each individual location, as well as their historical and cultural context. Through her works she interrupts the inner codes and structures that determine the way we relate with spaces. The materials and techniques used by her are generally linked to the field of construction: lumber, OSB, iron, and expanded polystyrene, among others.
María Gabler has exhibited at Galería Gabriela Mistral; Museo de Arte Contemporáneo; and Sala de Arte CCU, all Santiago, Chile, among others.
Events & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
Maria Gabler, La Galería, 2017, OSB, lumber, steel framing, and glass, 512 × 512 × 1571/2 in. (1300.48 × 1300.48 × 400.05 cm).
Maria Gabler, La Ventana, 2022, Lumber and asphalt roofing felt, 236 × 51113/16 × 1573/8 in. (599.44 × 1299.97 × 399.8 cm).
Maria Gabler, Anfibia, 2021, Wood, polyethylene, water, sand and rocks, 39311/16 × 39311/16 in. (1000 × 1000 cm).
Maria Gabler, Ad Portas, 2019, Polished and vitrified floor, 59 × 78 in. (149.86 × 198.12 cm).
Maria Gabler, La Galería, 2017, OSB, lumber, steel framing, and glass, 512 × 512 × 1571/2 in. (1300.48 × 1300.48 × 400.05 cm).
