Rodrigo Ímaz imbues his graphic work with strategies that are site-specific in order to investigate the blurry limits between time and space. Through poetical analogies of nature and anthropogenic events his work emphasizes the inadequacies of instrumental reason and criticizes contemporary societies through an exploration of the violent relationship between life and the cycles of nature. In Ímaz’s work, organic forms arise threatening arrogant human pride and the course of progress, while his visual poetry ennobles human creations.
Residents from Mexico
Yoshihito Mizuuchi’s works originates from experiments with tape recorders in his elementary school days, when he mixed/collaged various sounds from different sources to create original and personal tapes. This approach to sound has determined his artistic process ever since. He attempts to find diverse significance in everyday objects from their juxtaposition and transformation. Mizuuchi combines one thing with another in fragments from various sources such as a wide variety of media, forms of expression and any phenomenon around us to free/subvert our perception and existing meanings.
Events & Exhibitions
Residents from Japan
Borea’s work is characterized by the continuous displacement and use of diverse media and materials. The openness toward these media define Borea’s approach, where the object’s time and history are of fundamental importance within the plastic discourse. His work explores the relationship between different cultures and histories. The role of distance in cultural, economic and social events constitute an important part in the process and execution of his works. Borea has exhibited individually and collectively in several venues in Europe, Latin America and the U.S.
Alberto Borea was part of There Is No Flag Large Enough, a collaborative project with Stefano Cagol and Maryam Najd.