Tobias Dostal works to rid the film medium of the classic canvas by restaging the movie in a space with sculptural elements – rebuilt 16 mm projectors and projection screens made of wood or paper constructions, for example. Addressing the roots of the film and similar artistic approaches in the past is crucial to his work. After extensive experiments in a variety of media, formats and techniques and dealing with artistic approaches such as the “Expanded Cinema” and structural film and the history of film, he found his visual language through the use of celluloid film.
Tobias Dostal (born 1982 in Bad Hersfeld, Germany) studied drawing, film and skuplture at the Braunschweig Universitity of Arts. His Film installations have been shown in group exhibitions at the gallery of La Esmeralda, New Mexico; Kunstschaufenster am Hallenbad, Wolfsburg; End in Nation, Kapitelsaal, Bad Hersfeld; Films about being God, Kreuzberg Pavillion, Berlin; Metamorphosen, Allgemeiner Konsumverein, Braunschweig and the Up and Coming Film Festival, Hannover.
Events & Exhibitions
Residents from Germany
Mónica Ferreras De la Maza
Mónica Ferreras De la Maza’s body of work has an autobiographical component that captures periods of growth and anxiety in her own chronology. Some symbols and style elements recur often, like the spiral, the maze, and also the obsessive use of points, circles, and lines. Ferreras constructs her paintings by building layer upon layer of form and color. Parallel to her painting, she produces video art and installation based on daily social observation.
Mónica Ferreras De la Maza was born and lives in the Dominican Republic. Over the course of her career, Ferreras has produced 12 solo exhibitions and has participated in group shows in the United States, Europe, and the Dominican Republic including Inside and Out: Recent Trends in the Arts of the Dominican Republic, IDB Cultural Center, Washington, DC; Entre-Vues, Foundation Clément, Martinique; Latitudes 2009, Paris; Island Nation, RISD Museum, Rhode Island School of Design, Providence; VideoAKT, GlogauAIR Art Center, Berlin and Politica de la Diferencia: Arte Iberoamericano de Fin de Siglo, Centro de convenciones Pernabumco, Recife.
Residents from Dominican Republic
Bernard Williams embraces a range of formats for the expression of his interests and concerns. The artist investigates the complexities of American history and culture through painting, sculpture, and installation. Within these broad arenas, the work seeks a kind of open-ended dialogue, addressing identity, flattening hierarchies, and questioning who we are collectively. Risk, adventure, conquest, personal status, privilege, and mechanical development are some of the thematic concepts which are pushed into form.
Bernard Williams (born 1964) is a native of Chicago. He holds a BFA from the University of Illinois Urbana-Champaign and an MFA from Northwestern University. He also studied at the Skowhegan School of Painting and Sculpture. Williams has taught at The School of the Art Institute of Chicago and has completed numerous residencies around the United States. In 2009, a large temporary outdoor sculpture was mounted at Socrates Sculpture Park in New York. In 2013, Williams designed and installed two large temporary outdoor sculptures at the Laumeier Sculpture Park in St. Louis. A permanent steel sculpture is currently under installation in Chicago.