Past Residents
Past Resident2021: Ministry of Culture, Taiwan
Yu-Ling Chou
Chou Yu-Ling’s research focuses on visual culture, moving images’ curation and curatorial methodology. She was a curator of the National Taiwan Museum of Fine Arts where she organized the 2018 Taiwan Biennial titled Wild Rhizome that looked at the cultural legacy of a theatre group who self-published Theatre Quarterly, an avant-garde magazine that circulated during 1960s in Taiwan.
Chou Yu-Ling has curated shows at Peltz Gallery, London; Soulangh Cultural Park, Tainan; and National Taiwan Museum of Fine Arts, Taichung, among others.
Kao Chung-li, The Man with the Moving Projector, 2015, mixed media, installation view at Peltz Gallery, London
The Other Cinema Collective, Every Film is an Enigma: Moving Images in the Black Box and White Cube, 2017, mixed media, installation view at Soulangh Cultural Park, Tainan
Kao Chung-li, Kao Chung-li and Experimental Film in Taiwan, 2015, mixed media, installation view at LUX Salon, London
Wild Rhizome, The Glamorous Boys of Tang, 2018, mixed media, installation view at Taiwan Beinnale, 2018
The Other Cinema Collective, Every Film is an Enigma: Moving Images in the Black Box and White Cube, 2017, mixed media, installation view at Soulangh Cultural Park, Tainan
Residents from Taiwan
Past Resident2021: The Kettering Family Foundation
Rashaun Rucker
Rashaun Rucker’s practice examines social and cultural issues in the United States, with a particular focus on human rights, mental illness, the Black experience, and the impacts of inequality. The artist brings a journalistic narrative to his practice from his 20 years of training and experience as a photojournalist.
Rashaun Rucker has exhibited work at the Wallach Art Gallery, New York; N’Namdi Contemporary, Miami; and Red Bull Arts Detroit, Michigan, among others.
Events & Exhibitions
2021 Spring Open Studios
April 27–April 28, 2021
Rashaun Rucker, Troubled Rest, 2020, graphite, 50 × 38 in. (127 × 96.52 cm)
Rashaun Rucker, They Tried To Clip My Wings, 2021, graphite, 30 × 22 in. (76.2 × 55.88 cm)
Rashaun Rucker, Overbooked, 2020, graphite, 50 × 38 in. (127 × 96.52 cm)
Rashaun Rucker, Load Factor, 2019, graphite, 50 × 38 in. (127 × 96.52 cm)
Rashaun Rucker, Finally Free, 2020, graphite, 50 × 38 in. (127 × 96.52 cm)
Residents from United States
Verónica Gaona
Studio #201
Abed Elmajid Shalabi
Studio #222
Past Resident2021: AES+F
Aslan Goisum
Aslan Goisum tends to mine memory–collective and personal, political and cultural–for clues about colonial realities, how they have been endured and how they might be undone. Identities come into play in his work, as embodied effects of violence perpetrated or unfreedom suffered but also as possible openings, new beginnings. So far, his prime artistic tools have been the moving image, sculptural installation and various paper-based techniques.
Aslan Goisum has exhibited work at Museum of Contemporary Art, Antwerp; Stedeljik Museum, Amsterdam; and Kohta, Helsinki, among others.
Aslan Goisum, Volga, 2015, single-channel, HD video projection, 4:11 min
Aslan Goisum, People of No Consequence, 2016, single-channel, HD video projection, 8:34 min
Aslan Goisum, Numbers, 2015, 50 metal plaques, 77/8 × 11 in. (20.07 × 27.94 cm) each
Aslan Goisum, Untitled, 2015, one metal jug, six glass copies
Aslan Goisum, No Need for Theories, 2011, book, soil, 411/16 × 3 × 10 in. (11.94 × 7.62 × 25.4 cm)
