Past Residents
Ariane Loze
Through a methodical deconstruction of cinematic norms, Ariane Loze strips her video-performances down to their most basic, structural inner workings. Her post-minimalist aesthetic brings together conceptual expression and home-made execution underpinned by an immediately recognizable narrative made up of static shots of a straightforward action or event. Since 2008, Loze produces her videos autonomously: she take on the roles of director, screenwriter, editor, dresser, and sound and lighting technician, as well as plays all characters.
Ariane Loze has exhibited work at Riga Biennial of Contemporary Art, Riga; S.M.A.K., Ghent; and KANAL Centre Pompidou, Brussels, among others.
Ariane Loze, Utopia, 2018, HD video projection with sound, 10:27 min.
Ariane Loze, Archipelago of Me, 2018, HD video projection with sound, 32:54 min.
Ariane Loze, Minimal Art, 2019, HD video projection with sound, 8:25 min.
Ariane Loze, Highlands, 2019, HD video projection with sound, 30:18 min.
Ariane Loze, Kolumba, 2020, HD video projection with sound, 13:36 min.
Past Resident2020: Danish Arts Foundation
Stine Hebert
Stine Hebert is a Copenhagen-based curator. She has curated exhibitions for various spaces internationally and taught at universities and art academies in Europe. Hebert has previously held positions as curator at Kunsthal Charlottenborg, curator at Malmö Art Museum, Acting Director of BAC -Baltic Art Center, Rector of Funen Art Academy, and most recently Dean of The Academy of Fine Art at Oslo National Academy of the Arts.
Stine Hebert has curated exhibitions at Kunsthal Charlottenborg, Copenhagen; Malmö Art Museum; Tate Modern, London, among others.
Rose English, The Eros of Understanding, Kunsthal Charlottenborg, 2014, mixed media.
Joachim Koester, If One Thing Moves, Everything Moves, Kunsthal Charlottenborg, 2012, mixed media.
Leigh Ledare, Leigh Ledare, et al., 2013, mixed media.
Stine Hebert, The Nordic Model®, Malmö Art Museum, 2013, mixed media.
Stine Hebert, Between the Lines, Oslo National Academy of the Arts, 2018, mixed media.
Residents from Denmark
Past Resident2022: Italian Cultural Institute of New York2020: The Italian Academy for Advanced Studies, Columbia University
Agostino Iacurci
Agostino Iacurci works with a wide range of media, including painting, wall-painting, sculpture, drawing, and installation. He creates immersive spaces to transform the perception of given environments. Starting from specific topics like the use of colors in the ancient and classical world, he questions issues of traditions and identity, investigating the process of idealization underlying historical myths and their impact on the collective imagination.
Agostino Iacurci has exhibited work at Civic Museum of Palazzo Mosca, Pesaro; Macro, Rome; Celaya Brothers Gallery, Mexico City, among others.
Agostino Iacurci, Hortus, 2022, glazed terracotta, water, hydraulic pump, iron, copper, steel, 137.8 x 67 x 67.
Agostino Iacurci, Diary of Ornament, 2020, canvas, wood, PVC pipes, plants, wall painting.
Agostino Iacurci, Landscape 2, 2021, Print on canvas.
Agostino Iacurci, Trompe l'oeil, 2017, paint, canvas, wood, cement, and found objects.
Agostino Iacurci, Gypsoteca, 2018, paint, plaster, gouaches, paper, and wood.
Residents from Italy
Raffaela Naldi Rossano
The Italian Academy for Advanced Studies, Columbia University, Italian Cultural Institute of New York, Directorate-General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and International Cooperation, Directorate-General for Contemporary Creativity of the Italian Ministry of Culture
2024
