Past Residents
Past Resident2010: ACC - Asian Cultural Council
Jiandyin (Jiradej & Pornpilai Meemalai)
Jiandyin are interdisciplinary collaborative artists from Thailand. Pornpilai Meemalai received her MA from School of Applied Art, Royal College of Art, London, UK. Jiradej Meemalai received his MFA (Sculpture) from Faculty of Decorative Arts, Silpakorn University, Bangkok, Thailand. Pornpilai is a 2008 recipient of Silp Bhirasri Creativity Grant of Silpakorn University, Thailand. Jiradej was awarded several competitions including 46th National Art Competition, 2000 and the Kasikorn Bank Group Contemporary Art Competitions, 2000. He was artist in residence at Art Omi International Art Center, 2008. They received a fellowship grant award from the Asian Cultural Council, New York and they were artists-in-residence at Headlands Center for the Arts. Jiandyin have participated in The Penang Island Sculpture Project, Penang Island, Malaysia and Art Live World, Chair and the Maiden Gallery, New York and will have a solo exhibition at Kokoro Studio, San Francisco, California.
Through their married life they discovered artistic value while searching for resolution for their disputes. Their works are models for looking at the tension in human relationships. They also project an awareness of ‘living together as an adaptation’ in the rapidly globalizing world that we live in. In 2010, they began a participation project called Dialogue. It is an ongoing collaborative drawing of Thai / Thai American couples who live in United States.
Events & Exhibitions
Salon: Nicolas Grum (Chile) and Jiandyin (Thailand)
September 7, 2010
Jiandyin (Jiradej & Pornpilai Meemalai), Sinking sculpture, 2007. Courtesy of the artist.
Jiandyin (Jiradej & Pornpilai Meemalai), On Adaptation, 2010. Courtesy of the artist.
Jiandyin (Jiradej & Pornpilai Meemalai), Holding a Balance, 2009. Courtesy of the artist.
Jiandyin (Jiradej & Pornpilai Meemalai), Self Portrait, 2007. Courtesy of the artist.
Residents from Thailand
Bundith Phunsombatlert
Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Joseph Robert Foundation, Danna and Ed Ruscha, Horace W. Goldsmith Foundation
2013
Past Resident2010: Wallace Arts Trust
F4
Born, educated and living in Auckland, New Zealand, Susan Jowsey and Marcus Williams have collaborated as artists for over 15 years.
F4 is a conceptual and structural response to the introduction of children into their partnership; a boy Jesse and his sister, Mercy. The intersubjectivity of collaboration, the mediated nature of socialization in contemporary culture and the implications of power relations in these contexts remain broad themes within this collaborative model. Familial relationships and the investigation of representations of family have become particular. Ideas are developed and have been cultivated overtime with specific attention paid to conceptual and visual potential inherent in the prolific creative gestures generated by both children in their everyday play. These can play out through multiple iterations, which may at one time be championed by, one or other of the adults, but always remain the intellectual property of the collective.
Events & Exhibitions
Salon: F4 (New Zealand) and Szabolcs KissPál (Hungary)
October 19, 2010
F4, Entrance, 2009, Video still from animated video. Courtesy of the artist.
F4, The Minutes, 2010, 1571/2 × 39 in. (400.05 × 99.06 cm). Courtesy of the artist.
F4, Mother, Father, Brother, Sister, 2008, 191/2 × 131/2 in. (49.53 × 34.29 cm). Courtesy of the artist.
F4, The Unknown; Image #12, 2007, 59 × 351/2 in. (149.86 × 90.17 cm). Courtesy of the artist.
F4, The Correction, 2009, 118 × 59 in. (299.72 × 149.86 cm). Courtesy of the artist.
Residents from New Zealand
Past Resident2010: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Krüger & Pardeller
The objects of Krüger & Pardeller are perceived as constructive sculptures, architectural fragments or design objects. Due to tangible experience and deliberate ambiguity, viewers are encouraged to discover their own classifications and define the criteria for such distinctions consciously. Forms of presentation are questioned and the abstract, modular form is adopted as an interactive tool. Kruger & Pardeller are also curators and editors of Twilight Zone: Art Hits Design, and Undisciplined: The Phenomenon of Space in Art, Architecture and Design, Vienna/New York, 2008/2009.
Krüger & Pardeller. Courtesy of the artists.
Krüger & Pardeller. Courtesy of the artists.
