Past Residents

Country
Year
Residency Program
Resident Type
List Grid
Residents Map
Taiwan

Past Resident
2018: Ministry of Culture, Taiwan

Artist

Yen-Ting Hsu

Yen-Ting Hsu investigates the cultural context of sounds, explores the connection between life, environment and ethnic cultures, and reflects on the relationship between sounds and their surrounding world. Using field recordings as her primary material, Hsu creates audio documentaries, soundscapes and sound performances. She also works extensively with dance theaters as a sound designer.

Yen-Ting Hsu has exhibited at Taipei Artist Village, Fremantle Arts Centre, and Taipei Fine Arts Museum, among others. 

Events & Exhibitions

2018 Summer Open House
July 31, 2018, 6–9pm
Artists at Work: Modupeola Fadugba and Yen-Ting Hsu
July 24, 2018, 6:30–8pm
Spring Open Studios 2018
April 27–April 28, 2018
Yen-Ting Hsu, Waterland (Taiwan), 2016, plastic swimming pool, water sports equipments, sand, and multi-channel sound installation
Yen-Ting Hsu, Waterland (Australia), 2015, sand and multi-channel sound installation
Yen-Ting Hsu, TAI - Work in Progress, 2017, fans, various objects, and multi-channel sound installation
Yen-Ting Hsu, Revitalization of Chiayi Sound Project, 2012, multi-channel sound installation

Residents from Taiwan

Huang I-Hsiang

A Practice of Silence begins with a vague visual impression, the administrative figure of the Absolute Space, a silent presence always sitting in the corner of the exhibition venue. Her work is a series of interpretations, empathy, and understanding. She is always there, yet hard to notice. She is the caretaker of the venue, and I want to depict such a character. My curiosity lies in her physical and psychological relationship with the venue; my curiosity wonders why she is here and whether she has ever thought about leaving. In short, everything related to this job, including emotions and circumstances. During the exhibition, I invited theater practitioner Tseng Jing-Wen, who is dedicated to promoting People's Theatre, along with former administrative staff from Absolute Space who worked here at different times, to conduct a body workshop. My basic idea is, the arrival of newcomers marks the departure of the old, and the interchange between new and old forms the life of a character. These participants, through shared memories, will engage in a self- dialogue belonging to this character during the workshop. Finally, on the last day of the exhibition, we held a screening event showcasing the workshop's video documentation at the venue.
Taiwan
Ministry of Culture, Taiwan
2024

Feng-Yi Chu

Taiwan
Ministry of Culture, Taiwan
2024

Hung-Yen Chang

Taiwan
Ministry of Culture, Taiwan
2023
Italy

Past Resident
2018: Italian Cultural Institute of New York, The Italian Academy for Advanced Studies, Columbia University, Farnesina Ministero degli Affari Esteri e della Cooperazione Internazionale - Ministry of Foreign Affairs and International Cooperation

Artist

Ludovica Carbotta

Ludovica Carbotta’s practice focuses on the physical exploration of urban space and how individuals establish connections to their environment. In recent works, she has looked at fictional site specificity, a form of site-oriented practice that considers imaginary places, or embodies real places within fictional contexts. Through this work, she aims to recover the role of imagination as valuable to knowledge production.

Ludovica Carbotta (born 1982, Turin) lives and works in Maastricht, The Netherlands. She has exhibited works at MAXXI Museum, Rome; Kunstlerhaus Museum, Graz; and Fondazione Sandretto Re Rebaudengo, Turin, amongst others. Carbotta is the recipient of the 5th Ariane de Rothschild Prize.

Events & Exhibitions

Artists at Work: Ludovica Carbotta and Sara Enrico
June 12, 2018, 6:30–8pm
Spring Open Studios 2018
April 27–April 28, 2018
Ludovica Carbotta, Monowe, 2016, mixed media, environmental installation
Ludovica Carbotta, Monowe, 2016, mixed media, environmental installation
Ludovica Carbotta, Falsetto RCH001, 2017, silicon sculpture, polystyrene, and buckets, 24 × 40 × 24 in. (60.96 × 101.6 × 60.96 cm)
Ludovica Carbotta, Falsetto TWR001, 2017, sculpture, sponge, wood, oil, and silicon, 25 × 63 × 25 in. (63.5 × 160.02 × 63.5 cm)
Ludovica Carbotta, Falsetto TNT001, 2017, sculpture, concrete, sponge, and stripes, 28 × 48 × 24 in. (71.12 × 121.92 × 60.96 cm)

Residents from Italy

Chiara Ianeselli

Quel jour sommes-nous, 15-30 June 2022, co-curated with Bakul Patki, at Tokonoma, Kassel. Credit: Rene Graf. quel jour sommes-nous? (what day is it?) is a research project in the form of an exhibition that questions what makes an artwork - investigating the performativity and process of an exhibit, the acts that brought it into existence, and the context of its presentation. Featuring seventeen established and emerging artists, quel jour sommes-nous? explores the differing forms, lifespans, and pathways of artworks – with historicised and timeless, appropriated and reapproriated, unauthored and unauthorised, dismantled and intangible works, all of which sit beside a graduate piece that will be graded in situ, just ahead of the exhibition’s opening. An “unfinished” work will also be included. The concept of a finished work of art – one that is deemed ready to be shared – has been debated throughout art history, particularly in relation to potential different readings once it has been pulled from a definite temporal context. Continuing the contentious conversation around when a piece of art is complete, one work in progress will be taken from an artist’s studio, at a time of the curators’ choosing, and inserted into the exhibition. quel jour sommes-nous? reflects upon the evolution of the creative process – the choices, challenges and breakthroughs that come with making art – asking when, within this process, does something become a work of art, and who gets to decide? On which day is something ready to be sold or exhibited? Is today the day the artist has to surrender a work they might never see again? Extending this reflection on when a work comes into existence, the exhibition also asks whether it is possible for artworks to exist without an audience. How much is the public required for the creative process to be complete, and how preeminent is the artist’s vision in influencing the viewer’s experience of the work? quel jour sommes-nous? does not profess to answer these questions, but hopes to encourage examination and inspire further exploration. It is at once exhibition as research and research as exhibition
Italy
Italian Council - Directorate-General for Contemporary Art and Architecture and Urban Peripheries (DGAAP) at the Italian Ministry for Cultural Heritage and Activities
2024

Valentina Furian

Ciacco, 2021, installation view at
Italy
The Italian Academy for Advanced Studies, Columbia University, Italian Cultural Institute of New York
2024

Raffaela Naldi Rossano

Raffaela Naldi Rossano, Warp, video installation, mixed media, variable duration, 2022. Co-commissioned and co-produced by LIAF and TBA21 Academy. Developed in the context of a residency on the research vessel Helmer Hanssen. View at Fantasmagoriana, LIAF 2022, curated by Francesco Urbano Ragazzi.
Photo Kjell-Ove Storvik. C.sy the Artist

Italy, Greece
The Italian Academy for Advanced Studies, Columbia University, Italian Cultural Institute of New York, Directorate-General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and International Cooperation, Directorate-General for Contemporary Creativity of the Italian Ministry of Culture
2024
Denmark

Past Resident
2018: Danish Arts Foundation

Artist

Anders Bülow

Anders Bülow works at the intersection of painting and sculpture. His practice is framed by the possibilities and limitations of the materials he employs. Bülow seeks a sensitive aesthetic that borders on the vulgar.

Anders Bülow has exhibited works in Copenhagen and other European cities, including Officin, Copenhagen; Danske Grafikere, Copenhagen; and After Howl, Brussels.

Events & Exhibitions

Spring Open Studios 2018
April 27–April 28, 2018
Anders Bülow, Feverish, 2017, gouache on paper, 1813/16 × 271/8 in. (47.75 × 68.83 cm)
Anders Bülow, Vangelis, 2017, metal and acrylic paint, 395/16 × 7811/16 in. (99.82 × 199.9 cm)
Anders Bülow, Feverish 2, 2017, gouache on paper, 1813/16 × 271/8 in. (47.75 × 68.83 cm)
Anders Bülow, Chalk, 2014, acrylic on carved mdf, 537/8 × 771/8 in. (136.91 × 195.83 cm)
Anders Bülow, Chalk 2, 2014, chalk from Champagne, acylic and glue on mdf, 537/8 × 771/8 in. (136.91 × 195.83 cm)

Residents from Denmark

Asta Lynge and Jakob Ohrt

Denmark
Danish Arts Foundation
Studio #208

Jens Settergren

Denmark
Danish Arts Foundation
Studio #304

Lotte Nielsen

Denmark
Danish Arts Foundation
2021